David Mach is a Scottish sculpture and installation artist born in 1956.
Mach's artistic style is based on flowing assemblages of mass-produced found art objects. Typically these include magazines, vicious teddy bears, newspapers, car tyres, match sticks and coat hangers. Many of his installations are temporary and constructed in public spaces.
An early influential sculpture was Polaris, exhibited outside the Royal Festival Hall, South Bank Centre, London in 1983. This consisted of some 6000 car tyres arranged as a lifesize replica of a Polaris submarine. Mach intended it as a protest against the nuclear arms race meant to stir controversy. A member of the public who took exception to the piece tried to burn it down; unfortunately, he got caught in the flames himself and suffered fatal burns.
In the early 1980s Mach started to produce some smaller-scale works assembled out of unstruck match sticks. These mostly took the form of human or animalistic heads and masks, with the coloured tips of the match heads arranged to construct the patterned surface of the face. After accidentally setting fire to one of these heads, Mach now often ignites his match pieces as a form of performance art.
A second strand to Mach's work are his collage pieces. Partly as a result of having access to thousands of reproduced images in the magazines left over from many of his installations, Mach began to experiment with producing collages. This culminated in National Portrait, a 3 m by 70 m collage for the Millennium Dome that featured many images of British people at work and at play.
Mach studied at the Duncan of Jordanstone College of Art (now a school of University of Dundee, Dundee, Scotland from 1974, graduating in 1979, then at the Royal College of Art, London between 1979 – 82. Following several shows and public installations, Mach was nominated for the Turner Prize in 1988. In 2000 he joined the Royal Academy of Arts as Professor of Sculpture.